Not blues related, but important. Today is the 234th birthday of the US Marine Corps.Semper Fi, Dad.
Tuesday, November 10, 2009
Happy Birthday USMC
Not blues related, but important. Today is the 234th birthday of the US Marine Corps.Semper Fi, Dad.
Great Article About Ernie Hawkins
Here's a great article about perhaps my favorite living guitarist, Ernie Hawkins. Check it out.
Blues Art Journal
Thursday, October 15, 2009
Ventresco
You're going to be seeing more posts from me about this amazing guitarist, Craig Ventresco. In this clip he is merely a supporting player, but where he does his old time vaudeville and ragtime tunes he will astound.
Wednesday, October 7, 2009
The Hotshots at the HarvestFest
Good times were had by all with blues, ragtime and some hokum and jug music provided by Michael Ammons and the Water Street Hot Shots at the Sheboygan Harvest Fest last weekend. Lil' Rev was a special guest blowing that harmonica and picking that uke! If you missed it -- well, you missed it!
Monday, August 10, 2009
Austin Music Historian Discovers Blind Willie Johnson’s Grave
From the Texas Psychedelic Rock website:
AUSTIN, TX - July 27, 2009 – Since his death in 1945, the grave of Blind Willie Johnson, one of the greatest bottleneck-slide guitarists of all time, has been unmarked. Now, thanks to 18 months of research and a dozen visits to the Blanchette Cemetery in Beaumont, Texas by Austinite Jack Ortman, the final resting place of this influential Texas musician will get the recognition it deserves.
Johnson’s music has always been revered by his fellow musicians. His songs have been covered by Bob Dylan, Eric Clapton, Paul McCartney, Led Zeppelin, the Rolling Stones, White Stripes, Bruce Springsteen, Hot Tuna, the Grateful Dead and countless other artists. More than 30 years after his death, Johnson’s recording of “Dark was the Night (Cold was the Ground)” was included on a Sounds of Earth record launched into space onboard NASA’s Voyager One. Nearly 60 years after Johnson’s death, Texas guitar legend Johnny Winter called that song one of his 10 favorite songs in a Guitar World interview.
Johnson’s childhood, like his untimely death, was heartbreaking. His mother died when he was a baby; his step-mother blinded him with lye when he was seven years old. (His song “Motherless Children Have a Hard Time” was covered by Clapton on 461 Ocean Boulevard in 1974.) One of Columbia’s biggest selling race recording stars during the Great Depression, Johnson recorded 30 songs between 1927 and 1930. When the economy ended his recording career, he became a Baptist minister. He operated a “House of Prayer” in Beaumont with his wife and continued to perform on street corners. In 1945, a fire ravaged their home. With nowhere to go and little funds, they slept on newspapers on their water-damaged bed. Johnson caught pneumonia but was turned away at a local hospital because he was blind (or black, depending upon the source). He died within a week: his final resting place unknown; his grave unmarked.
Determined to uncover that page of Texas history, Ortman began making the 230 mile trek from Austin to Beaumont every two or three weeks. “I’m into the history of music and musicians of the Golden Triangle − Beaumont, Orange and Port Arthur, Texas” he explained. “During my research, I kept coming across information that Blind Willie had lived in Beaumont during the 30s and 40s. The sources also revealed that he died in Beaumont. My natural curiosity made me search further and I started finding information that no one was sure where he was buried. That was it, my moment of realization, and I thought, ‘What a perfect project for me’.”
Ortman began researching Johnson’s life, collecting books, articles, and CD liner notes. After reading an article in the Austin American Statesman by Michael Corcoran, and a chapter about Johnson in Corcoran’s book All Over the Map, he learned that Corcoran had found a copy of the Johnson’s death certificate that noted he was buried in Blanchette Cemetery.
Ortman headed for that cemetery and met Estraleta Sonnier, the new director of Community Cemeteries, an umbrella organization for several Beaumont cemeteries. He then hooked up with the Tyrrell Historical Library and the Jefferson County Historical Commission and was told Johnson was buried at Community Cemeteries, which had him searching two additional burial grounds. After a couple of dead ends at those cemeteries, he once again focused on Blanchette.
Johnson was buried in a pauper’s grave in the “colored section” of the Blanchette Cemetery, which has a chain link fence separating the white and black sections. When Ortman discovered his final resting place in July, Johnson had been dead for almost 65 years. Sam Charters, music historian, record producer, and author of The Country Blues, The Legacy of the Blues, and several other books on blues and jazz, searched for his grave in the mid 1950s. Corcoran abandoned his search in 2003. Ortman believed the time was right to try again and credits his success to a number of factors.
“Right from the beginning, I felt if I were to have any success, I needed the involvement of all the players,” he said. “My objective was getting to know the people at the cemetery and all the historical commissions on a personal basis. Discovering the location took combining the “Industrial Maps” of Beaumont from the 1920s to the 1960s; having a new director of the Blanchette Cemetery; utilizing overhead aerial photos from satellites in space; timing; and a lot of luck.”
“I think other researchers had been looking for a gravestone with Blind Willie’s name chiseled on it,” he added. “When I found out he was buried in a paupers grave, it changed the focus of my search. After I eliminated all the ‘marked’ and ‘paid for’ tombs and narrowed what was left as the paupers graves, I had found the last of the missing ‘Blues Founding Fathers’.”
Requirements for an Official Texas Historical Marker from the Texas Historical Commission (THC) are stringent and require applications to be submitted by a county historical commission. The Jefferson County Historical Commission is submitting Ortman’s application this fall. When approved, the THC writes the inscription, requires payment for the marker (approximately $1500, already pledged by an anonymous donor), and has a foundry cast the marker. Ortman plans to host an unveiling ceremony with the Jefferson County Historical Commission when the wait is finally over.
“Well deserved and 65 years overdue, Blind Willie Johnson will finally get the recognition he deserves as a seminal Texas musician,” Ortman added.
By Mary Lou Sullivan
AUSTIN, TX - July 27, 2009 – Since his death in 1945, the grave of Blind Willie Johnson, one of the greatest bottleneck-slide guitarists of all time, has been unmarked. Now, thanks to 18 months of research and a dozen visits to the Blanchette Cemetery in Beaumont, Texas by Austinite Jack Ortman, the final resting place of this influential Texas musician will get the recognition it deserves.
Johnson’s music has always been revered by his fellow musicians. His songs have been covered by Bob Dylan, Eric Clapton, Paul McCartney, Led Zeppelin, the Rolling Stones, White Stripes, Bruce Springsteen, Hot Tuna, the Grateful Dead and countless other artists. More than 30 years after his death, Johnson’s recording of “Dark was the Night (Cold was the Ground)” was included on a Sounds of Earth record launched into space onboard NASA’s Voyager One. Nearly 60 years after Johnson’s death, Texas guitar legend Johnny Winter called that song one of his 10 favorite songs in a Guitar World interview.
Johnson’s childhood, like his untimely death, was heartbreaking. His mother died when he was a baby; his step-mother blinded him with lye when he was seven years old. (His song “Motherless Children Have a Hard Time” was covered by Clapton on 461 Ocean Boulevard in 1974.) One of Columbia’s biggest selling race recording stars during the Great Depression, Johnson recorded 30 songs between 1927 and 1930. When the economy ended his recording career, he became a Baptist minister. He operated a “House of Prayer” in Beaumont with his wife and continued to perform on street corners. In 1945, a fire ravaged their home. With nowhere to go and little funds, they slept on newspapers on their water-damaged bed. Johnson caught pneumonia but was turned away at a local hospital because he was blind (or black, depending upon the source). He died within a week: his final resting place unknown; his grave unmarked.
Determined to uncover that page of Texas history, Ortman began making the 230 mile trek from Austin to Beaumont every two or three weeks. “I’m into the history of music and musicians of the Golden Triangle − Beaumont, Orange and Port Arthur, Texas” he explained. “During my research, I kept coming across information that Blind Willie had lived in Beaumont during the 30s and 40s. The sources also revealed that he died in Beaumont. My natural curiosity made me search further and I started finding information that no one was sure where he was buried. That was it, my moment of realization, and I thought, ‘What a perfect project for me’.”
Ortman began researching Johnson’s life, collecting books, articles, and CD liner notes. After reading an article in the Austin American Statesman by Michael Corcoran, and a chapter about Johnson in Corcoran’s book All Over the Map, he learned that Corcoran had found a copy of the Johnson’s death certificate that noted he was buried in Blanchette Cemetery.
Ortman headed for that cemetery and met Estraleta Sonnier, the new director of Community Cemeteries, an umbrella organization for several Beaumont cemeteries. He then hooked up with the Tyrrell Historical Library and the Jefferson County Historical Commission and was told Johnson was buried at Community Cemeteries, which had him searching two additional burial grounds. After a couple of dead ends at those cemeteries, he once again focused on Blanchette.
Johnson was buried in a pauper’s grave in the “colored section” of the Blanchette Cemetery, which has a chain link fence separating the white and black sections. When Ortman discovered his final resting place in July, Johnson had been dead for almost 65 years. Sam Charters, music historian, record producer, and author of The Country Blues, The Legacy of the Blues, and several other books on blues and jazz, searched for his grave in the mid 1950s. Corcoran abandoned his search in 2003. Ortman believed the time was right to try again and credits his success to a number of factors.
“Right from the beginning, I felt if I were to have any success, I needed the involvement of all the players,” he said. “My objective was getting to know the people at the cemetery and all the historical commissions on a personal basis. Discovering the location took combining the “Industrial Maps” of Beaumont from the 1920s to the 1960s; having a new director of the Blanchette Cemetery; utilizing overhead aerial photos from satellites in space; timing; and a lot of luck.”
“I think other researchers had been looking for a gravestone with Blind Willie’s name chiseled on it,” he added. “When I found out he was buried in a paupers grave, it changed the focus of my search. After I eliminated all the ‘marked’ and ‘paid for’ tombs and narrowed what was left as the paupers graves, I had found the last of the missing ‘Blues Founding Fathers’.”
Requirements for an Official Texas Historical Marker from the Texas Historical Commission (THC) are stringent and require applications to be submitted by a county historical commission. The Jefferson County Historical Commission is submitting Ortman’s application this fall. When approved, the THC writes the inscription, requires payment for the marker (approximately $1500, already pledged by an anonymous donor), and has a foundry cast the marker. Ortman plans to host an unveiling ceremony with the Jefferson County Historical Commission when the wait is finally over.
“Well deserved and 65 years overdue, Blind Willie Johnson will finally get the recognition he deserves as a seminal Texas musician,” Ortman added.
By Mary Lou Sullivan
Thursday, August 6, 2009
Sunday, June 21, 2009
Stardust -- a reinterpretation
Enjoy this video. What cool stylings of this great 1927 jazz-pop song by Hoagy Carmichael.
Friday, May 15, 2009
Congratulations to Michael Ammons and the Hotshots!
Congratulations to Michael Ammons and the Water Street Hotshots for winning this year's Grafton Blues Challenge last weekend. They were the only acoustic group on the bill and took away top honors. Now it's on to Memphis for the International Blues Challenge.
Good luck!
Good luck!
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